LookBooks.com is committed to deliver the highest quality and best user experience to its members. We have detected that you are using an out dated browser. We suggest that you use one of the following browsers to experience Lookbooks as it was intended.
Get Firefox | Upgrade Internet Explorer | Use Safari | Try Google Chrome
Discover the world's leading creative talent and their work.
Sign up to create your own LookBooks.
Sign up using your email address Already a member? Login

We are the software solution for managing and marketing your images.
Contact us to learn more about the technology powering over 100 agencies and 5000 artists.

Website Mobile App Archiving CRM Email Booking/Sales

208 w 30th st, #901
New York, New York, United States

T: 9172620005 |

| Website |

vanitas: death and decadence in east london

Edited by: catrin davies
on April 13th, 2012
Twitter Facebook Tumblr Email

With some people already writing the obituary for East London, what better way to deal with the death of creativity than with an event that plays on Dorian Grey levels of condemned vanity?

The setting is a National Trust Tudor mansion in the unlikely heart of Homerton, in East London, and the idea is based on the 15th and 16th century European Vanitas art movement - a self-obsession with beauty, death, decay, debauchery….Skulls and butterflies, not a million miles away from what Damien Hirst is currently showing at Tate Modern

A clutch of contemporary artists living and working in Hackney were invited by the innovative Horsebox Gallery (a mobile/ pop-up/ gallery-on-wheels concept) to instigate a takeover of the Tudor property, originally built in 1531 for Sir Ralph Sadleir. 

Some of the most evocative art works come from Sophia Schorr-Kon, whose still-life photographs of tumble weave and rotting flowers and pig-headed humans were staged in an East London squat  - capturing that fine line between narcissism and partying too hard. Eat, drink, wear tumble weave, then die. 

Throughout the house original Tudor-era artworks are side-by-side with their contemporary counterparts. At the centre is a banquet table, arranged by set designer Alice Hodge, around which diners gorged themselves on a five course banquet during the opening week of the event.

Nearby is the cast of  Iluá Hauck da Silva's minute torso; which she cast after prolonged wear of a restricting corset. The visible indents and scarring are testement to the destructiveness of  vanity. But  then again, there's no excuse for an elasticated waist at a 16th century dinner party.

Vanitas runs at Sutton House, London until May 1st 2012



Add to lookbook

    Please Create a New LookBook.

    Share to