or

LookBooks.com is committed to deliver the highest quality and best user experience to its members. We have detected that you are using an out dated browser. We suggest that you use one of the following browsers to experience Lookbooks as it was intended.
Get Firefox | Upgrade Internet Explorer | Use Safari | Try Google Chrome
Hilary Beck

Hilary Beck 

hey now now: http://lookbooks.com/top_blogs/view/general/exit-everything on September 23rd, 2010
10+1

London Fashion Week: Richard Nicoll and the Re-Return of the Thin White Duke

Posted Sep 20, 2010 2:33 pm
2 Comments |

Add image to Lookbook
   
  • Large Photo 1
  • Large Photo 2
  • Large Photo 3
  • Large Photo 4
  • Large Photo 5
  • Large Photo 6
  • Large Photo 7
  • Large Photo 8
  • Large Photo 9
  • Large Photo 10
  • Large Photo 11
  • Large Photo 12
  • Large Photo 13
  • Large Photo 14
  • Large Photo 15
  • Large Photo 16
  • Large Photo 17
  • Large Photo 18
  • Large Photo 19
  • Large Photo 20
  • Large Photo 21
  • Large Photo 22
  • Large Photo 23
  • Large Photo 24
  • Large Photo 25
  • Large Photo 26
  • Large Photo 27
  • Large Photo 28
  • Large Photo 29
  • Large Photo 30
  • Large Photo 31
  • Large Photo 32
1/32

When a womenswear designer cites David Bowie as an inspiration, nine times out of ten you can expect a Technicolor whirlwind through his glammed-out Ziggy Stardust years.

Perhaps that's why it's so refreshing that, when Richard Nicoll paid homage to Bowie with his Spring 2011 collection, he was instead referencing his monochrome years as the archly elegant Thin White Duke. Impossibly attenuated, with a shock of red hair and a sharply tailored tuxedo, Bowie's stark, teutonic Duke was perhaps the most acclaimed character of his career, and has long provided menswear with a style icon. With the classic Station to Station album serving as the show's soundtrack (and a sharp-cheekboned Bowie doppelgänger opening the show), Nicoll perfectly translated the Thin White Duke's "minimal glamour" into chic, shapely looks for women. Even the models' orange cheeks seemed to pay homage.

Androgynous and alluringly feminine in equal measure, Richard Nicoll seized the fashion world's ubiquitous 70's trend and filtered it through the elegance of the 1940s. Black and white, understandably, dominated in looks that referenced vintage erotica; with black bras under sheer white tops and a leather bustier here and there, Nicoll's woman wouldn't be out of place in a luxe fetish salon. Thankfully, it didn't distract from the sophistication of it all--there was nothing ostentatious or raunchy about his impeccable wide-legged trousers and voluminous, sensual pleats. Dresses with graphic, curve-reflecting lines were finished off with stiff, sculpted chiffon collars, giving an altogether soft collection a bit of sporty dimension. With sheer fabrics seemingly unavoidable on Spring 2011's runways, it was nice to see Nicoll give them new shape.

Thirty-plus years ago, on the landmark title track to Station to Station, Bowie heralded that "the European canon is here." On only day 3 of London Fashion Week, is it too soon to say that the Richard Nicoll canon is here? With such a stunning, forward-thinking collection, we think not.

 

Photos: Style.com



Comments (2)

  1. liz.de.mer
    Liz.de.mer on September 20th, 2010

    Oh, I'm in love with this collection. How sexy and empowering is the juxaposition of the manly monochrome and the fluid long Mariano Fortuny slhouette. Amazing! Blogged about it as well.

  2. amhughes
    Amhughes on September 22nd, 2010

    Very futuristic. I like the cape looks, especially in peach. 

Following/Followers
Blade
danielsaynt
fmleach4
Friend in Fashion
Haley.M
Kathryn Carter
Leigh Anne Thomas
Park and Cube
RenEllou
tiffanytse