- Address:
-
42 BOND ST 2FL
New York, New York
United States , 10012
Map and Directions
- Phone:
- 212 505 5545
- Fax:
- 212 387 9137
- Email:
- one@onemanagement.com
- Website:
- http://www.onemanagement.com
Imagine a company that combines Fashion, Film, Music and Celebrity, and you can imagine ONE MANAGEMENT - the first company to take all these elements and put them together.
Founded in 2002 in New York City by President Scott Lipps, ONE initially started as a model management company / fashion house, but quickly became a full-fledged entertainment company in 2006 when ONE(M) was established to merge the gap between music and the world of high-end editorial and branding. Shortly thereafter, 1 Management (LA) opened its doors in Los Angeles, along with partner Darren Goldberg, to manage film and television talent.
ONE's current roster of talent on the modeling side includes a number of well known and extremely successful models: Claudia Schiffer, Helena Christensen, Iman, Rie Rasmussen, Lizzy Jagger, Eva Herzigova, Bridget Hall, Tasha Tilberg, Josie Maran, Devon Aoki, Bar Refaeli amongst others. The client list of ONE(M) includes Spacehog, Cassie, Duran Duran, Eve, Pete Wentz, Panic at the Disco, The Academy Is, The Kills, Michael Pitt, etc. The current list of talent at 1 Management (LA) includes Emilie De Ravin (Lost), Maggie Grace (Lost), Nick Stahl (Terminator 3), Frances O'Connor (Cashmere Mafia), PJ Ransone (Generation Kill), and Michelle Lomardo (Entourage).
News
-
0 | 0 | on 23/11/09
-
0 | 0 | on 23/11/09
Q: I'm not sure if I'm wrong in this fact find but it seems as though you finished up at St Martins and went straight into working at Self Service, how does one lock down such a stellar start in the business?
A: I was looking for an internship after school, I always loved the magazine. I think that was the first place I called and they told me to come in....a week after I was there working and I didn't leave..
Q: Off to a nice start you were..... After 5 years at the magazine you seemed to have undergone a sort of Big Bang theory and your works were suddenly amongst the pages of numerous publications from i-D, Another Magazine to Russian Vogue Covers, Vogue Paris stories etc...what brought on the sudden expansion?
A: I think it happend sort of naturally in a way. I mean, I became freelance and I worked for Mixte for about 6 months, and then I started working for English magazines like i-D and Another, while still working for Self service, as well as various Vogue publications. The more you do...
-
0 | 0 | on 23/11/09
Q: I'm not sure if I'm wrong in this fact find but it seems as though you finished up at St Martins and went straight into working at Self Service, how does one lock down such a stellar start in the business?
A: I was looking for an internship after school, I always loved the magazine. I think that was the first place I called and they told me to come in....a week after I was there working and I didn't leave..
Q: Off to a nice start you were..... After 5 years at the magazine you seemed to have undergone a sort of Big Bang theory and your works were suddenly amongst the pages of numerous publications from i-D, Another Magazine to Russian Vogue Covers, Vogue Paris stories etc...what brought on the sudden expansion?
A: I think it happend sort of naturally in a way. I mean, I became freelance and I worked for Mixte for about 6 months, and then I started working for English magazines like i-D and Another, while still working for Self service, as well as various Vogue publications. The more you do...
-
0 | 0 | on 18/11/09
-
0 | 0 | on 18/11/09
-
0 | 0 | on 18/11/09
-
0 | 0 | on 12/11/09
-
0 | 0 | on 10/11/09
-
0 | 0 | on 9/11/09
Q: One of my favorite things about you is your blunt way of speaking laced with the English accent, and yet you've claimed to be shy... how does that work?
A: I think it is important to say what you feel. I have never been good at small talk. When I shoot portraits I can talk Non-Stop as I feel a different person behind the camera. I also like to listen to people who speak their mind and express themselves freely.
Q: I've seen a few Still life photographers whose work is incredibly beautiful, but it is not the most common for such Photographers to turn around and shoot a model with as much precision and beauty as they do an object. You however seem to be capable of executing a consistent amount of beauty regardless of what your subject is..Aside from what we would assume as the obvious differences, how do you approach a photo differently in these two scenarios?
A: For me working with a model usually involves collaborating with a team. I like experimenting with hair and make up to change the face. To...
-
0 | 0 | on 5/11/09
